By George & Josh Bate
On the first night of this year’s Creative Arts Emmys, Andor came away with 4 wins. Before the main event on September 14, the Emmys honors television’s top artistic and technical achievements with a two-day event on September 6-7.
During the ceremony, Andor won the following Emmys…
- Best Production Design for a Narrative Period or Fantasy Program
- Best Fantasy / Sci-Fi Costumes
- Best Editing for a Drama Series – “Who Are You”
- Best Visual Effects
Andor was nominated, but did not win, in the following categories….
- Best Guest Actor in a Drama Series – Forest Whitaker
- Best Music Composition – Nicholas Britell
- Best Cinematography
- Best Original Music & Lyrics – “We Are the Ghor”
- Best Sound Mixing
- Besr Character Voiceover – Alan Tudyk as K-2SO
The Acolyte was also nominated for Best Sound Editing but lost to Apple TV’s The Studio.
Check out a full list of Emmys winners from the first night of the event below….
BEST COMEDY GUEST ACTOR
Jon Bernthal, The Bear
[winner] Bryan Cranston, The Studio
Dave Franco, The Studio
Ron Howard, The Studio
Anthony Mackie, The Studio
Martin Scorsese, The Studio
BEST COMEDY GUEST ACTRESS
Olivia Colman, The Bear
Jamie Lee Curtis, The Bear
Cynthia Erivo, Poker Face
Robby Hoffman, Hacks
Zoë Kravitz, The Studio
[winner] Julianne Nicholson, Hacks
BEST DRAMA GUEST ACTOR
Giancarlo Esposito, The Boys
Scott Glenn, The White Lotus
[winner] Shawn Hatosy, The Pitt
Joe Pantoliano, The Last of Us
Forest Whitaker, Andor
Jeffrey Wright, The Last of Us
BEST DRAMA GUEST ACTRESS
Jane Alexander, Severance
Gwendoline Christie, Severance
Kaitlyn Dever, The Last of Us
Cherry Jones, The Handmaid’s Tale
Catherine O’Hara, The Last of US
[winner] Merritt Wever, Severance
BEST TELEVISION MOVIE
Bridget Jones: Mad About the Boy
The Gorge
Mountainhead
Nonnas
[winner] Rebel Ridge
BEST PERFORMER IN A SHORT FORM COMEDY OR DRAMA SERIES
Nathalie Emmanuel, “Die Hart: Hart to Kill”
Kevin Hart, “Die Hart: Hart to Kill”
[winner] Desi Lydic, “The Daily Show: Desi Lydic Foxsplains”
Tom Segura, “Bad Thoughts”
J.K. Simmons, “Die Hart: Hart to Kill”
BEST CHARACTER VOICE-OVER PERFORMANCE
[winner] Julie Andrews, Bridgerton
Hank Azaria, The Simpsons
Maya Rudolph, Big Mouth
Alan Tudyk, Andor
Jeffrey Wright, What If…?
Steven Yeun, Invincible
BEST ANIMATED PROGRAM
[winner] Arcane
Bob’s Burgers
Common Side Effects
Love, Death + Robots
The Simpsons
BEST INDIVIDUAL ACHIEVEMENT IN ANIMATION
[winner] – Arcane, “Dirt Under Your Nails” (Bruno Couchinho, Background Designer)
[winner] – Arcane, “The Message Hidden Within the Pattern” (Faustine Dumontier, Colorscript and Color Keys Artist)
[winner] – Love, Death + Robots, “400 Boys” (Darryl Graham, 2D Animation Supervisor)
[winner] – Love, Death + Robots, “400 Boys” (Robert Valley, Character Design)
[winner] – Love, Death + Robots, “How Zeke Got Religion” (Gigi Cavenago, Art Director)
[winner] – Love, Death + Robots, “How Zeke Got Religion” (Edgar Martins, Storyboard Artist)
BEST CASTING FOR A COMEDY SERIES
The Bear
Hacks
Only Murders in the Building
Shrinking
[winner] The Studio
BEST CASTING FOR A DRAMA SERIES
The Last of Us
[winner] The Pitt
Severance
Slow Horses
The White Lotus
BEST CASTING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
[winner] Adolescence
Black Mirror
Dying for Sex
Monsters: The Lyle and Erik Menendez Story
The Penguin
BEST CHOREOGRAPHY FOR SCRIPTED PROGRAMMING
Bridgerton
Doctor Who
[winner] Étoile
Severance
Will Trent
BEST CINEMATOGRAPHY FOR A SERIES (HALF-HOUR)
Emily in Paris
Georgie & Mandy’s First Marriage
Hacks
The Righteous Gemstones
[winner] The Studio
BEST CINEMATOGRAPHY FOR A SERIES (ONE HOUR)
Andor
The Day of the Jackal
Étoile
Pachinko
[winner] Severance
The White Lotus
BEST CINEMATOGRAPHY FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
[winner] Adolescence
American Primeval
Disclaimer
The Penguin
Zero Day
BEST CONTEMPORARY COSTUMES FOR A SERIES
Emily in Paris
Hacks
The Righteous Gemstones
[winner] The Studio
The White Lotus
BEST CONTEMPORARY COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
Adolescence
American Horror Stories
Dying for Sex
[winner] The Penguin
Sirens
BEST FANTASY/SCI-FI COSTUMES
Agatha All Along
[winner] Andor
Black Mirror
Dune: Prophecy
House of the Dragon
BEST PERIOD COSTUMES
American Primeval
[winner] Bridgerton
Monsters: The Lyle and Erik Menendez Story
1923
Wolf Hall: The Mirror and the Light
BEST EDITING FOR A MULTI-CAMERA COMEDY SERIES
The Conners (“The Truck Stops Here”)
[winner] Frasier (“My Brilliant Sister”)
Mid-Century Modern (“Here’s to You, Mrs. Schneiderman”)
The Upshaws (“Buy Now”)
The Upshaws (“Grifter, Grifter”)
BEST EDITING FOR A SINGLE CAMERA COMEDY SERIES
The Bear (“Tomorrow”)
Hacks (“I Love LA”)
The Rehearsal (“My Controls”)
The Rehearsal (“Pilot’s Code”)
[winner] The Studio (“The Promotion”)
What We Do in the Shadows (“The Finale”)
BEST EDITING FOR A DRAMA SERIES
[winner] Andor (“Who Are You?”)
The Last of Us (“Through the Valley”)
Severance (“Attila”)
Severance (“Chikhai Bardo”)
Severance (“Cold Harbor”)
The White Lotus
BEST EDITING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
[winner] Monsters: The Lyle and Erik Menendez Story (“Blame It on the Rain”)
The Penguin (“Bliss”)
The Penguin (“Cent’anni”)
The Penguin (“A Great or Little Thing”)
Sirens (“Exile”)
BEST CONTEMPORARY HAIRSTYLING
Abbott Elementary
Emily in Paris
Hacks
[winner] The Penguin
The Studio
The White Lotus
BEST PERIOD OR FANTASY/SCI-FI HAIRSTYLING
Anne Rice’s Interview With the Vampire
[winner] Bridgerton
House of the Dragon
Monsters: The Lyle and Erik Menendez Story
What We Do in the Shadows
BEST CONTEMPORARY MAKEUP (NON-PROSTHETIC)
Grotesquerie
The Last of Us
Only Murders in the Building
[winner] The Penguin
The Pitt
The White Lotus
BEST PERIOD OR FANTASY/SCI-FI MAKEUP (NON-PROSTHETIC)
Anne Rice’s Interview With the Vampire
[winner] House of the Dragon
Monsters: The Lyle and Erik Menendez Story
The Righteous Gemstones
What We Do in the Shadows
BEST PROSTHETIC MAKEUP
House of the Dragon
The Last of Us
[winner] The Penguin
The Pitt
Saturday Night Live
BEST MOTION DESIGN
[winner] Octopus!
BEST TITLE DESIGN
Dark Matter
The Decameron
House of the Dragon
The Penguin
[winner] Severance
The White Lotus
BEST MAIN TITLE THEME MUSIC
Dept. Q
Dune: Prophecy
Lazarus
The Residence
[winner] The White Lotus
Your Friends & Neighbors
BEST MUSIC COMPOSITION FOR A SERIES (ORIGINAL DRAMATIC SCORE)
Andor
Based on a True Story
Cobra Kai
[winner] Severance
The Studio
The White Lotus
BEST MUSIC COMPOSITION FOR A LIMITED OR ANTHOLOGY SERIES, MOVIE OR SPECIAL (ORIGINAL DRAMATIC SCORE)
Black Mirror (“Hotel Reverie”)
Black Mirror (“USS Callister: Into Infinity”)
Dying for Sex
Monsters: The Lyle and Erik Menendez Story
[winner] The Penguin
The Supremes at Earl’s All-You-Can-Eat
BEST MUSIC SUPERVISION
Hacks
The Last of Us
The Righteous Gemstones
Severance
[winner] The Studio
The White Lotus
BEST ORIGINAL MUSIC AND LYRICS
Agatha All Along (“The Ballad of the Witches’ Road”)
Andor (“We are the Ghor”)
[winner] The Boys (“Let’s Put the Christ Back in Christmas”)
SNL50: The Anniversary Special (“Adam Sandler’s Song: 50 Years”)
Will & Harper (“Harper and Will Go West”)
BEST PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
Hacks
Mid-Century Modern
Only Murders in the Building
[winner] The Studio
What We Do in the Shadows
BEST PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)
The Last of Us
The Penguin
The Residence
[winner] Severance
The White Lotus
BEST PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE)
[winner] Andor
Bridgerton
Dune: Prophecy
1923
Pachinko
BEST SOUND EDITING FOR AN ANIMATED PROGRAM
[winner] Arcane
Love, Death + Robots
Secret Level
Star Trek: Lower Decks
What If…?
BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR)
The Acolyte
Agatha All Along
The Bear
The Righteous Gemstones
[winner] The Studio
BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
Andor
[winner] The Last of Us
The Pitt
Severance
BEST SOUND EDITING FOR A LIMITED OR ANTHOLOGY SERIES, MOVIE OR SPECIAL
Adolescence
Black Mirror
The Gorge
[winner] The Penguin
Star Trek: Section 31
BEST SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR)
The Bear
Mid-Century Modern
Only Murders in the Building
Shrinking
[winner] The Studio
BEST SOUND MIXING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
Andor
The Last of Us
The Pitt
[winner] Severance
The White Lotus
BEST SOUND MIXING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
Adolescence
Black Mirror
Monsters: The Lyle and Erik Menendez Story
[winner] The Penguin
Zero Day
BEST STUNT COORDINATION FOR COMEDY PROGRAMMING
Cobra Kai
Only Murders in the Building
Poker Face
[winner] The Righteous Gemstones
Tulsa King
BEST STUNT COORDINATION FOR DRAMA PROGRAMMING
[winner] The Boys
FBI: Most Wanted
Lioness
The Penguin
The Rookie
BEST STUNT PERFORMANCE
[winner] The Boys
FBI: Most Wanted
The Penguin
The Rookie
Severance
BEST SPECIAL VISUAL EFFECTS IN A SEASON OR A MOVIE
[winner] Andor
Dune: Prophecy
House of the Dragon
The Last of Us
The Lord of the Rings: The Rings of Power
BEST SPECIAL VISUAL EFFECTS IN A SINGLE EPISODE
Black Mirror, “USS Callister: Into Infinity”
[winner] The Penguin, “Bliss”
The Residence, “The Fall of the House of Usher”
Severance, “Hello, Ms. Cobel”
The Umbrella Academy, “End of the Beginning”