Mr. Creamjeans’ Hidey Hole is a horror anthology that deliberately pushes boundaries, blending disturbing imagery, sexual themes, and an increasingly unsettling central story.

Littermates offers a unique take on the post-apocalyptic genre, using chemical weapons, memory loss, and speech impairment to create an intriguing setup for its story.

By George & Josh Bate Indonesian filmmaker Joko Anwar has spent much of his career revitalizing the country’s modern cinema, carving out a particularly distinctive niche with acclaimed horror and genre fare. His 2017 breakout Satan’s Slaves became the highest-grossing

The Heretiks is a more adult and more action-packed version of Hocus Pocus

Sick is a twisted fairy tale and psychosexual coming-of-age horror movie that is as uncomfortable as it is mesmerizing.

Ürei is a haunting and atmospheric psychological thriller.

Death of a Yellow Bird makes for one of the more personal, existential, tragic, and moving watches of the year.

The kind of bloodthirsty genre gem one might have stumbled upon at Family Video back in the day.

Death Has No Master is an intriguing, yet miscalculated collision of colonial horror, arthouse drama, and slow-burn thriller.

Girl in the Night is an odd little film about an even odder little man.

Platypus is an unapologetically stylized and purposefully unpolished throwback to micro-budget, amateur-ish horror movies of the 70s and 80s.

Little Doors is a bizarre, surprisingly heartfelt comedy that finds humor and romance amid the collapse of civilization.

Posthumous is an atmospheric and emotionally resonant ghost story that uses analog horror to explore grief.

The Omen and Rosemary’s Baby meet Barbarian in this new Fantastic Fest premiere.

Heather Graham stars in this poorly crafted The Conjuring rip off.

The feel-bad movie of the year has arrived.

Suspiria meets Challengers in this Fantastic Fest premiere.