Film & TV

SXSW 2026 EXCLUSIVE INTERVIEW: ‘A Safe Distance’ Director Gloria Mercer and Stars Bethany Brown and Tandia Mercedes Discuss Their Contemporary Bonnie and Clyde Thriller
Bonnie and Clyde get a third wheel in this new thriller

ScreenAnarchy REVIEW: The Gates
Check out our review of the new Lionsgate thriller The Gates starring Mason Gooding and James Van Der Beek over at ScreenAnarchy

SXSW 2026 REVIEW: The Snake
A dysfunctional movie about a dysfunctional woman

SXSW 2026 REVIEW: A Safe Distance
Bonnie and Clyde’s swansong is uprooted when a third wheel enters the fray in this new SXSW premiere

SXSW 2026 REVIEW: Margo’s Got Money Troubles
Elle Fanning leads this heartwarming family dramedy about an OnlyFans model

SXSW 2026 REVIEW: Ugly Cry
Comparison culture, unrealistic beauty standards, and the film industry are explored in Emily Robinson’s feature directorial debut

SXSW 2026 EXCLUSIVE INTERVIEW: ‘Ugly Cry’ Star and Filmmaker Emily Robinson
Have you ever been told you have an ugly cry?

SXSW 2026 EXCLUSIVE INTERVIEW: ‘Sparks’ Director Fergus Campbell Talks Queer Nevada Time Travel Movie
Elsie Fisher wants to time travel to 1960s Paris in this queer teendom dramedy

SXSW 2026 REVIEW: Anima
Sydney Chandler and Takehiro Hira embark on a deeply moving, sci-fi-tinged road trip

ScreenAnarchy REVIEW: Bodycam
Check out our review of the new Shudder horror movie Bodycam over at ScreenAnarchy

EXCLUSIVE INTERVIEW: ‘Bodycam’ Director and Writer Brandon Christensen on Crafting the Scariest Episode of ‘Cops’ of All Time
The topical new horror movie debuts March 13 on Shudder

EXCLUSIVE INTERVIEW: ‘Slanted’ Filmmaker Amy Wang on Blending Satirical Body Horror with Racial Commentary
Mean Girls, The Substance, and Imitation of Life come together in this new absurdist body horror movie

REVIEW: Project Hail Mary
The kind of movie that makes you grateful you’re alive at a point in history in which movies are made

REVIEW: Peaky Blinders: The Immortal Man
A satisfying finale for one of television’s greatest characters

REVIEW: Slanted
Coming-of-age high school drama, absurdist comedy, sci-fi, and body horror all blended together

EXCLUSIVE INTERVIEW: ‘Sirāt’ Director Óliver Laxe on Genre-Bending Cinema and the Power of Ambiguity
Few movies leave the kind of impression that Sirāt does

ScreenAnarchy REVIEW: Heel
Check out our review of the new psychological thriller Heel starring Stephen Graham over at ScreenAnarchy

ScreenAnarchy REVIEW: The Ugly
Check out our review of the new South Korean thriller The Ugly over at ScreenAnarchy

BRWC REVIEW: Scream 7
By George & Josh Bate Check out our review of Scream 7 over at Battle Royale with Cheese here.

BRWC REVIEW: Psycho Killer
Check out our review of the new serial killer horror movie Psycho Killer over at Battle Royale with Cheese

REVIEW: How to Make a Killing
How to Make a Killing? More like How to Perfectly Make a Remake

ScreenAnarchy REVIEW: The Dreadful
Check out our review of The Dreadful starring Sophie Turner and Kit Harington over at ScreenAnarchy

ScreenAnarchy REVIEW: The Mortuary Assistant
Read our full review of ‘The Mortuary Assistant’ over at ScreenAnarchy

REVIEW: Crime 101
Chris Hemsworth and Mark Ruffalo headline a well-made, yet overly long heist thriller

BRWC REVIEW: Wuthering Heights
Read our review of “Wuthering Heights” over at BRWC

EXCLUSIVE INTERVIEW: ‘Crime 101’ Director Bart Layton Reconstructs the Crime Thriller Genre
‘Crime 101’ starring Chris Hemsworth, Mark Ruffalo, and Halle Berry hits theaters on February 13

‘GOAT’ Cast, Director, and Producer Stephen Curry Talk Their “Generation-Defining Underdog Story”
The new film from Sony Pictures Animation hits theaters on February 13

REVIEW: Goat
A wholesome, vibrant blend of the family animation and sports drama genres

REVIEW: The Strangers: Chapter 3
An improvement over its predecessors isn’t saying much…..

TV Obsessive REVIEW: The ‘Burbs
Check out our full non-spoiler review of all eight episodes of Peacock’s The ‘Burbs at TV Obsessive

EXCLUSIVE INTERVIEW: ‘Good Luck, Have Fun, Don’t Die’ Screenwriter Matthew Robinson On His Wild AI Cautionary Tale
Gore Verbinski’s first movie in 10 years is as terrifying as it is hilarious




