ScreenRant REVIEW: The Influencer Project
Check out my review of The Influencer Project on ScreenRant.
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Film & TV
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The 2 Big Twists in Tom Cruise’s ‘Digger’ Explained
What is this massive game-changing reveal in ‘Digger’ everyone keeps talking about?
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FANTASTIC FEST 2026 REVIEW: Mr. Creamjeans’ Hidey Hole
Mr. Creamjeans’ Hidey Hole is a horror anthology that deliberately pushes boundaries, blending disturbing imagery, sexual themes, and an increasingly unsettling central story.
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FANTASTIC FEST 2026 REVIEW: Littermates
Littermates offers a unique take on the post-apocalyptic genre, using chemical weapons, memory loss, and speech impairment to create an intriguing setup for its story.
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REVIEW: Shaun the Sheep: The Beast of Mossy Bottom
Shaun the Sheep returns for a Halloween story this spooky season.
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ScreenRant REVIEW: Beware Boiúna
Check out my review of Beware Boiúna on ScreenRant.
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REVIEW: Verity
The cinematic equivalent of a disposable, yet undeniably entertaining book you buy at an airport book store.
FANTASTIC FEST 2026 EXCLUSIVE INTERVIEW: ‘Ghost in the Cell’ Director Joko Anwar On His Harrowing and Hilarious Horror Romp
By George & Josh Bate Indonesian filmmaker Joko Anwar has established a reputation for revitalizing modern Indonesian cinema, particularly through acclaimed horror and genre films. His 2017 film Satan’s Slaves became Indonesia’s highest-grossing horror film, while Anwar has received multiple Citra Awards, the Indonesian equivalent of Academy Awards. Needless to say, any project that Anwar
FANTASTIC FEST 2026 REVIEW: Ghost in the Cell
By George & Josh Bate Indonesian filmmaker Joko Anwar has spent much of his career revitalizing the country’s modern cinema, carving out a particularly distinctive niche with acclaimed horror and genre fare. His 2017 breakout Satan’s Slaves became the highest-grossing Indonesian film of that year and one of the country’s biggest horror successes, while Anwar
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REVIEW: Digger
Tom Cruise delivers the best performance of his entire career in Alejandro G. Iñárritu’s breathtaking satire on American idiocy.