Film & TV

Film & TV

REVIEW: Appendage

A new body horror film premiering at SXSW mixes ‘Malignant’ with ‘Invasion of the Body Snatchers’ for a fun and horrifying adventure.

Film & TV

REVIEW: 65

Adam Driver turns action movie star in this new sci-fi thriller.

Film & TV

REVIEW: Scream VI

Ghostface comes to New York City in the darkest and most violent ‘Scream’ movie yet.

Film & TV

REVIEW: Creed III

The iconic boxing franchise continues with Creed III.

Film & TV

REVIEW: Cocaine Bear

Inspired by the crazy true story, Elizabeth Banks’ new film is a wild, uneven theatrical experience that demands viewing with an audience.

Film & TV

REVIEW: George & Tammy

The latest music biopic is a tragic and compelling romance with two awards-worthy performances from Jessica Chastain and Michael Shannon.

Film & TV

REVIEW: Sharper

This new psychological thriller from A24 and Apple TV+ is an unpredictable tale of deception and intrigue.

Film & TV

REVIEW: Knock at the Cabin

M. Night Shyamalan gives the audience a moral and existential dilemma: would you sacrifice a member of your family to potentially prevent the apocalypse?

Film & TV

REVIEW: You People

Heavy-handed social commentary and cringeworthy humor characterize Netflix’s spin on ‘Meet the Parents’

Film & TV

REVIEW: Sick

The new horror film premiered this weekend on Peacock.

Film & TV

REVIEW: Missing

Captured entirely on iPhones, webcams, and security footage, this new thriller is an unpredictable thrill ride from start to finish.

Film & TV

REVIEW: M3GAN

Equal parts creepy and campy, ‘M3GAN’ is this generation’s ‘Child’s Play’

DC Motherbox

Top 10 Movies of 2022

Cannibals, superheroes, UFOs, detectives, and more feature on our best of 2022 list.

Film & TV

REVIEW: The Fabelmans

Steven Spielberg’s latest film is a deeply personal semi-autobiographical account of how the legendary filmmaker fell in love with cinema.

Film & TV

REVIEW: The Whale

Brendan Fraser delivers the performance of the year in this tragic drama.

Film & TV

REVIEW: Babylon

Damien Chazelle’s latest effort is an unfortunately loud, obnoxious, and meandering three-hour odyssey of 1920s Hollywood.