The Heretiks is a more adult and more action-packed version of Hocus Pocus

Sick is a twisted fairy tale and psychosexual coming-of-age horror movie that is as uncomfortable as it is mesmerizing.

Ürei is a haunting and atmospheric psychological thriller.

Death of a Yellow Bird makes for one of the more personal, existential, tragic, and moving watches of the year.

The kind of bloodthirsty genre gem one might have stumbled upon at Family Video back in the day.

Death Has No Master is an intriguing, yet miscalculated collision of colonial horror, arthouse drama, and slow-burn thriller.

Girl in the Night is an odd little film about an even odder little man.

Platypus is an unapologetically stylized and purposefully unpolished throwback to micro-budget, amateur-ish horror movies of the 70s and 80s.

Little Doors is a bizarre, surprisingly heartfelt comedy that finds humor and romance amid the collapse of civilization.

Posthumous is an atmospheric and emotionally resonant ghost story that uses analog horror to explore grief.

The Omen and Rosemary’s Baby meet Barbarian in this new Fantastic Fest premiere.

Heather Graham stars in this poorly crafted The Conjuring rip off.

The feel-bad movie of the year has arrived.

Suspiria meets Challengers in this Fantastic Fest premiere.

Scott Mescudi and Jessica Rothe star in this devastating and strange musical romance horror odyssey.

Worryingly prescient with its commentary yet entertaining with its central mystery, this is an exciting indie find.

Deborah Ann Woll stars in an initially intriguing, yet ultimately disjointed mystery thriller.

An insane blend of arthouse and gore-fest featuring some of the craziest, most brutal, and most inventive practical kills ever brought to screen.

By George & Josh Bate Everyone wants to think that, when they help or offer support to loved ones, it comes from a deeply selfish, even altruistic, place. But what happens when the steps we take to care for one